Blog posted by Robert Barlow and Hajnal Szasz Touch through time and space – ceramics coding and spatial patterning as survey methods What if you had the opportunity to tell someone’s story? Through the BAKOTA project, we have the chance to do that for a Bronze Age society in eastern Hungary, by investigating material culture and spatial relationships of the Békés 103 cemetery (Fig. 1). The aim of the BAKOTA project is to answer questions regarding the emergence of technological advances, such as agriculture and metallurgy within a Bronze Age society. Traditionally, scholars viewed the Bronze Age as a period powerful, centralized chiefdoms controlled their surroundings and maintained political and…
Blog posted by Heleinna Cruz DO Judge a Bone by its Color! The grass is green. The sky is blue. The world is a mixture of rainbows with colorful hues. We beautiful humans are graced with the vision and vibrancy of color. Living or not, color will always be relevant to us. In terms of the Békés 103 cemetery, I analyzed the bone color of people who were cremated from the Bronze Age. This is incredibly important in order for us to understand how people were treated when they were buried. The treatment of the dead can give us noteworthy indications of what life was like back during the…
Blog posted by Emily Quarato What’s so Dense about Crystallinity? This year for the BAKOTA project I am one of two students working on chemistry related topics! Chemistry is becoming widely used in the archaeological field as a means to approaching a problem. The Békés 103 site where we are working deals with many cremated burials thus to the naked eye one would believe not much is left for us as archaeologist to understand, however there is so much that we have yet to uncover! Bone even in its burned state has many underlying properties which can tell us so much about the past. One of the biggest studies currently…
Blog posted by Craig Jenson Getting to the Core of Archaeology Clay and Ceramics Reveal Bronze Age Trade Routes Think for a second about soil. Yes, the gritty stuff below your feet that you never pay attention to. Sometime when you’re by a river, pick up some wet river soil and roll it in your hands until it’s nearly dry. If you’re lucky, the soil will be full of clay. If that’s true, you’ll be able to mold your clay without it breaking. It turns out that people have been using this type of clay for thousands of years to make ceramics. As a member of the BAKOTA project, it…
Blog posted by Audrey Choi Feeling the Heat: Investigating Fracture Patterns on Cremated Human Remains My job for the season is to learn more about Bronze Age funerary practices by fearlessly delving into the blaze of the funeral pyre. How do I successfully accomplish this task without catching fire and meeting a similar fate as my subject, you ask? No time machines or superpowers are necessary—I instead read the clues provided to me by the fracture patterns that form on the surface of human bone during cremation. As a member of the BAKOTA Project’s “Bone Team,” I investigate cremated human remains with the goal of answering broader questions addressing the…
Blog posted by Hamima Halim Structure by Motion-Sickness The future is now, and its name is computer vision. Computer vision is a branch of computer science involving image processing that addresses the question: if a computer had eyes, what would it do? Its applications include navigation, medical imaging (think CT scans), and manufacturing, among other things. It’s making a splash in archaeology as well, where applications like pattern and object recognition are allowing professionals to analyze and digitally preserve potentially brittle, far-away or endangered material from their own personal machines. At the BAKOTA project we’re using a technique called photogrammetry to generate 3D models of our graves and vessels…
Blog posted by Virag Varga and Anna Szigeti The BAKOTA Death Metals team: Virag Varga and Anna Szigeti. Together with our mentor, Dr. Viktoria Kiss, we had the opportunity to visit the Budapest Neutron Centre (BNC) this June. What’s going on at the BNC and why is it important for an archaeologist? Stay tuned and we’ll tell you! But first few brief words about the BNC and their methods, which help us archaeologists out… The Budapest Research Reactor (BRR) is one of the leading research infrastructures in Hungary and in Central-Europe. The basic scientific activity at BRR is the use of neutron beam lines for neutron scattering investigations. We have…
BAKOTA 2016: Summer season application for European students The BAKOTA Research team is looking for one, possibly two European students to participate in this coming summer season. This season is primarily a lab season for the project, no excavation will be conducted. Please keep this in mind when consider application. General requirements: Advanced level of English. Members of the research team are from several different countries and the general communication and documentation language on the project is English. BA, MA or PhD student at a European university. Priority is given to Hungarian, Romanian and Polish students. Project dates: July 17th to August 14th, 2016 Location: Békéscsaba, Hungary Participants are required…
The Bronze Age Körös Off-Tell Archaeological (BAKOTA) Field School: Undergraduate Training in Fieldwork and Independent Research Reporting in European Archaeology is a summer program sponsored by Quinnipiac University and the National Science Foundation’s Research Experiences for Undergraduates Site program (Award N0. 1460820). We are not currently offering a field school Please check out the NSF-REU website for other summer research opportunities. BAKOTA mentor Dr. Jaime Ullinger (with Dr. Lesley Gregoricka) just announced a new bioarchaeology themed NSF-REU! You can find out more info here! Questions? Feel free to contact one of the BAKOTA project directors: Paul Duffy, Ph.D., American co-director (paul.duffy@utoronto.ca) Julia Giblin, Ph.D., American co-director (Julia.Giblin@quinnipiac.edu)…
Blog posted by Kelly Gillikin My name is Kelly Gillikin and I am a member of the two-person art crew for the Bakota Project for the 2015 field season. I am working under and learning from the very talented Dori Kekegyi, who is the head illustrator and burial map artist for the project. I started my illustration training by learning to draw the reconstructed urns and other burial vessels with millimeter paper and pencil. In order to get the most accurate and detailed drawing of the vessels, I used special illustration tools. One such tool was the profile brush. This simple but ingenious device will mold to the shape of…